Pagés breathes new life into flamenco’s roots as she performs with the full spectrum of emotion in a thoughtful, history-spanning work Dancers have an interesting relationship with time, their often ...

After seeing this spectacular show full of talented,elegant cantoeres, dancers and musicians, I am anxious to compare and see what I think of whichever flamenco show I decide to go to in Madrid next ...

If you think you know the story of Carmen, think again says Spanish flamenco dance innovator Maria Pagés, whose latest work Yo, Carmen radically reimagines the tale as a vibrant ode to modern ...

Performances in N.Y.C. Advertisement Supported by Dance Review | María Pagés By Roslyn Sulcas At the core of flamenco is the notion of duende: those dark forces contesting within the artist’s soul, ...

The Carmen in Prosper Mérimée's novel and Bizet's opera is "what men imagine a woman has to be," says Maria Pages, who offers her own perspective in Yo, Carmen Maria Pages, centre, and dancers of ...

They make an improbable pair – María Pagés an earthy flamenco dancer, Sidi Larbi Cherkaoui a contemporary dancer, as supple as a sapling. But they have one gift in common: exceptionally eloquent arms.

Anyone who saw flamenco artist Maria Pages in Riverdance is bound to remember her: her dancing cut like a knife through the bloated heart of that overproduced show. (As I recall, she was supposed to ...

Pagés newest piece, an autobiography, was commissioned by Mikhail Baryshnikov and will see her touch down in Canada for the first time You can save this article by registering for free here. Or ...

An hour into Yo Carmen, María Pagés’s take on Mérimée’s classic tale, and the dancing is suddenly halted for the flamenco star to deliver a lecture on what we’re seeing on stage. “All the women here, ...