Blondie had recently completed work on their fourth album in the summer of 1979 when they were tapped by Italian disco maestro Giorgio Moroder to record a new song for an upcoming movie. Moroder was ...
The title comes up in gleaming white cursive letters, looking like the old '50s Chevrolet logo, as an ominous synthetic drone rings out on the soundtrack. That drone gets louder and louder, and then ...
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