Dr Sabran sums up the difference: “Other instruments are like rivers; they carry deep emotion, tradition, lineage. But the synthesizer is like the wind: invisible, ever-changing, untethered. It ...

PWM is the brainchild of Paul Whittington who, besides the name, bestows the company with a wealth of music-related product design experience. The brand's products so far have very much been a ...

[Simon the Magpie] found himself in possession of a Behringer mixer that turned up in someone’s garbage. They’re not always the most well-regarded mixers, but [Simon] saw an opportunity to do ...

Synth Library NYC aims to demystify these sometimes complicated, often expensive instruments into the hands of anyone who wants to try one. Synth Library now has 650 members. Once a month, several ...

Designed in partnership with Modern Biology, the device translates biofeedback data from living organisms into evolving ...

Synthesizers are so ubiquitous in popular music that it’s hard to imagine a time when they weren’t around. The first commercial synthesizer did not exist until 1964, when Robert Moog (pronounced MOHG) ...

SYNTH WEEK 2024: Why do we cry foul when we find out that our favourite sound from our favourite track is – in fact – preset 32 from bank F on a keyboard that anyone could own? Using presets in your ...