Entertainment The 33 most exciting new movies of 2026: TechRadar's top picks that are coming to the big screen, Netflix, and more Streaming 26 hottest movies to look out for in 2026 – on Netflix, ...
Korean filmmakers must move beyond the passive role of selling original content and secure creative leadership in Hollywood ...
The Chosun Ilbo on MSN
Korea-Japan content collaboration expands to full co-productions
The drama “Can This Love Be Translated?”, which topped Netflix’s global TV show rankings (non-English category) on the 28th, ...
CJ ENM has announced their 2026 Visionary picks! This year’s Visionary includes six key IPs that stood out for their characters and character builders: “Bon Appétit, Your Majesty,” “BOYS II PLANET,” ...
Margot Robbie in "Wuthering Heights" (Warner Bros.), "The Mandalorian and Grogu" (Disney) and Ryan Gosling in "Project Hail Mary" (Amazon MGM) New year, new movies. 2026 has arrived, and this year ...
The year at the movies gets a mixed review. For a hefty chunk of 2025, it felt like one flop after another — and not only at the box office. And some of the past 12 months’ boffo hits were puerile ...
Get ready to spend your holiday with the sponge who lives in a pineapple under the sea, because the new SpongeBob movie, The SpongeBob Movie: Search for SquarePants, is opening in movie theaters this ...
Anja Djuricic was born in Belgrade, Serbia, in 1992. Her first interest in film started very early, as she learned to speak English by watching Disney animated movies (and many, many reruns). Anja ...
You wouldn’t call 2025 an “off” year for horror — more like an odd one. Both A24 and Neon continued to back several scary-movie auteurs (the prolific Osgood Perkins, the brothers Danny and Michael ...
Our film critics rank their 10 favorites of the year. By Manohla Dargis and Alissa Wilkinson Manohla Dargis It was another great year for the movies and another horrible, hair-on-fire year for the ...
2025 was a year that posed a lot of questions for movie lovers: Did the success of Sinners prove that there was still a mass audience hungry for original (read: non-IP) stories on a blockbuster level?
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